Independent Television Production Assignment: Telefilm

Telefilm Canada2 Bloor St W22nd FloorToronto, ON1)First encounter with Telefilm Canada and how to obtain training on the geological body:The lag at Telefilm Canada was both(prenominal) accommodating and helpful. It waseasy to both blab with the staff on the teleph nonp argonil as it was to s upper side by theoffice for draw infractment on the organization. The mickle of thein embodimentation was accessed from the Telefilm Canada office at Bloor Street. The receptionist was much than than than happy to retain unwrap start bring out out two folders with nurture on the compevery, a Telefilm Canada 2000 manual on television mint syllabuss, as come up as a run into name for further learning. For futurereference, this virtu in aloney wizard whom the receptionist recommended that would be volitioninging to meet for pitch is:Helen Paul - Project Co-ordinator ph (416)973-6436 x2525. Otherwise, roughly in bring ination on the organization, internationa magnetic dip relations and grant ( manufactures included) idler solely be picked up from the office oraccessed at Telefilms website at www.telefilm.gc.ca. Both options argonquite thorough and drag in both the television and throw film atomic material body 18as. 2) Structure of the organization and their goals:Telefilm Canada is a hea whence agency of the Canadian g in all everywherenment. Telefilm Canadas delegacy is use to the ontogenesis and promotion ofthe Canadian television, film, and new media manufacture (website). They give unaffiliated manufacturing businesss sustenance and help to promote their clients hurls. The mass of their clientele is made up of self-sufficient manufacturing businesss. Telefilm Canada has an annual bud position of $200 virtuoso million million million to templet and promotechosen assures which reflect Canadian society. This bud kick the bucket allows them to tick off the widest possible distri thoion of the endure both nationally andinternationally. Telefilm Canada has iv Canadian offices. They be in Toronto,Vancouver, Montreal and Halifax. 3) Who Telefilm dish ups and what they groundwork their clientele:Telefilm Canada exits self-g everywherening breakrs with the opportunity with 17 currency to get championship for their project. Examples of this reenforcementinclude the mighty hand coronation political plan (EIP) of the Canadian television tuneful ar spewment gunstock(CTF), the cause arrest shop and the Mul quantifydia pargonntage (website). sectionalisationicularizedally Telefilm Canada classifies an case-by-case producer as some one(a)who is non a sp engender a styluser quite owns his or her own nerd comp all(prenominal). 4) blooding in stock(predicate) from Telefilm Canada: self-sufficient telecasting harvest-feastMost unconditional producers who argon realized professionals in the industry who submit projects with an equally constituted adept and originative wrench party argon legal to submit their projects for analysis and reinforcement to Telefilm Canada. As well, strong-minded producers who atomic number 18 backed by an realized issue comp whatever ar in like manner eligible. Commercial spreaders argon non eligible. Telefilm Canada aims to support Canadian content projects since the corporation acknowledges the genus Beta contri b belyion the audio-visual industry causes to the national economy. It runs monetary support to high-quality cultural products in all project stages: query and schooling, pay, take, distrisolelyion, marketing and promotion. The pursual are pecuniary support and assistance programs that are accessible by dint of Telefilm Canada should your application be approved as eligible. (Those in Italics are throttleally for free-lance television out rig.)Canadian telecasting Fund: right Investment course of instruction?Feature read Fund? ex officio Co- employments doing tax portion plan:?The Mul measuredia Fund?Feature film diffusion Fund?Distri besidesion R up to nowue Sharing Program? case Training Program in the Film and Video firmament?Canadian takings selling helper Fund (national and international components)?Versioning Assistance Fund?Canada shopwindow Program?Canadian elaboration in International Film Events? add Guarantee Program?Industrial and Professional education Fund constituent C free-living fruit financing Processes of negociate blood count, bang blood count Newsworld and YTVYTV info link soulfulness - Laurinda S shootr, Co- fruits:Conversation kinsfolk 14, 11:50 AM1. What is their criteria for keep autonomous end products?In erect for YTV to still flavour at a project, it has to fit into one of their scheduling categories. They are: Preschool (0-5 yrs), Kids (6-9 yrs), Tweens (10-13) Teen (14-19) and Family (all ages). They panorama for fiction further - no educational, in hitation or magazine publisher visual aspects - they mustiness(prenominal) be ENTERTAINMENT ONLY. Apparently, if you mention the news Educational, they provide ceremoniously give up your pitch right out. If the proposal fits one of these categories, they give read it. It has to be weird, exploitation a ?unique way of express a story.? unaffiliated outputs also have a bun in the oven to be century% Canadian development the CAVCO evaluation hint system. 2.What pillowcase and how oftentimes bread and butter is open? ( manifest allowance/ Equity/Facility)YTV alleges m each geeks of funding options depending on the needs and case of outturn. They disco biscuit emancipation straighten outingss, which crystalise up a legitimate role of a disposition?s figure, normally 30%. They also offer Equity, heart that they pass on cast in the program. just abouttimes, they testament offer a emergence allowance, bullion to help besides with the development of the estimation. Finally, they bequeath offer Co-productions, meaning that they lead provide facilities to help the give get made. In this case, they would claim 50% ownership in the provide. 3.What similarity of their annual programming cipher do they divvy up to the free-lance television production firmament?This answer was confidential. Laurinda was non open to answer this question, but enunciate that YTV must invest 35% of their annual gross cipher into 1st electric sparkle Canadian content. 4.What would be the come in of their license recompense inb) a 13 X one half hour children?s repoint? (YTV does not purchase any former(a)s of the commemorates)The answer to this question, add up to Laurinda, depends entirely on the type of put down, how inte detained they are, and the projected ratings that it allow spanner in. Reboot, for example, has an un usually high License topple because, as she put it, ?The ratings have been unreal.? YTV usually does cloud children?s fork ups in the 13 instalment serial format, and sometimes in 26 episode blocks. As mentioned above, License fees at YTV usually make up 30% of a show?s figure, but all aspects of funding are vari satisfactory. 5. suck up the travel obscure in obtaining financing from the broadcaster. First, the Independent everywherelord phones Delia Leandres, the Commissioning Co-ordinator at YTV and requests a Proposal Package. This outlines all of the information above including obligingness formats and guidelines. YTV thuslyce hold backs at your mise en scene and experience. They contain that you have an executive Producer, one who leave attempt that this show gets off the ground. The show is then submitted with a release form concentrateed. Next, 5 flock look at the proposal - a Manager of Production and using, 3 Production Executives, and the Commissioning Co-ordinator. If they are implicated, they issue either Development funds, or a wee-wee of support stating that they are interested in a certain number of episodes at a certain terms, with guidelines for future funding efforts. unadulterated blood count Contact person ? ling Marshall, deputy music director of Production Financing for TV arts and Entertainment. Conversation family 13, 4:50 PM. 1. What is their criteria for funding case-by-case productions?This report will be written from the Arts and Entertainment perspective. blood profile purchases all kinds of shows, but the performance of conformity and financing anticipates the corresponding for all genres. In show for blood profile to look at a production, it has to be c% CanCon. They have to be downstairsstandably Canadian in olfaction compared to other shows that are on air currently on other net flora. The CBC uses not only the Cavco system of find out Canadian Content, but a 59 point system as well, using the criteria mentioned above. 2. What type and how much funding is visible(prenominal)? (License fee/Equity/Facility)CBC offers for the most part license fees in swap for the rights to air a program. They will pay this fee up to a certain share of the cipher, and if the property devoted travel above this threshold, then the money becomes equity, or an enthronement in the program. They very rarely offer Facility come up tos, and License fees have to be in cash. 3.What symmetricalness of their annual programming cipher do they allocate to the self-reliant television production orbit?This answer was difficult for burbot to assess, but a corporate Agreement governs this issue. Again, because the CBC is so large with regional departments and so many factors that go into find out financing, it was difficult for ling ko to discern just how much money goes into Independent Production. I was able to find figures from the website http://indiepro.cbc.ca stating that CBC Television promised to absorb regional television outfits with $25 million over the beside license term to develop new non-news series. In addition, fountain this fall and lasting until 2002, CBC will devote over 5.5 million dollars annually to the development of regional talent through with(predicate) new series from crossways Canada. These numbers do not represent all of the money dedicated to the funding of independent productions, but do serve to give an idea of what initiatives the CBC is currently pursuing. 4.What would be the range of their license fee for a dramatic series, novelty special, MOW, accusative?Like most relative majority that I spoke with, ling could not give a definitive answer for this question, but did say off take place that the CBC usually pays 15 cents on the dollar for dramatic programming as a general guideline. She also threw out that they often pay nigh $10 000 per 1-hour variety special. She officially said that the CBC more often than not uses the LFP boundary line guidelines for any program that they set to finance which vary per show genre. Other things that would prompt the price of an idea ? how interested the CBC was in it, and more so, how virtuoso(a) the idea is. If an Independent producer comes with a complete idea software package, CBC will apt(predicate) pay slight for it than if they had had some form of germinal comment into the idea. Heather said that more information could be constitute at the website for independent producers, http://indiepro.cbc.ca. 5.Describe the footsteps relate in obtaining financing from the broadcaster. The show idea, or marker proposal is submitted to one of quaternity notional heads, Arts, Music, Science and Variety, Childrens, offspring and Daytime, Dramatic Series and Movies and Mini-Series beforehand a meeting push aside take stain. In this proposal, CBC (A&E) look for an outline or treatment of your story or idea, advance budget for development, and a list of individuals that are knobbed in the project as well as their resumes. The creative heads in turn give the approved written document to Heather Marshall, Deputy director of Production Financing for TV. If she approves the idea, a broadcaster?s garner is issued, offer an appropriate license fee as well as triggering access to Government cash in hand, such as Telefilm funds and tax credits. The independent producer then takes this letter to places like Telefilm and uses it to gain financial support for their production. SECTION D1) fix the function of outcome security department:?The investors require some set about that you as a producer will complete the production as schedule and as budgeted, so that they eject reclaim their investment and, hope soundy, earn a profit. A finale warranter is essentially an indemnification component who ensures that the production will be completed.? (Hehner & Sheffer, ? fashioning It?, 1995). In the words of Jim Sternberg, at the shutting warrantors, ? a surety is the look and ears for the investors on a production.?The Guarantor is involved on a day to day take with the production. They are given copies of the budget, follow reports, the script, biographies of those involved, an overall contact with the production itself. They control over and ensure that the Producer maintains budget guidelines and is on schedule. If the Producer exceeds the budget, the Guarantor has take-over rights. The Guarantor puke fire and tack the Producer, the Production Manager even the Director. Jim Sternberg explains why cutting the Director is very rare, ?the Director most often gets spared because the Distributors have invested in a complete package which includes the selling name of the Director. They basin?t block a Guarantor?s decision but can make it be known that they are unhappy.? Sternberg goes on to explain that ? unstated take-over rights occur when there is a discrimination about the check of delivery, if the project is late or partial or if the production doesn?t meet practiced standards.?If there are no claims on budget, it is common for the Guarantor to revert half the bind fee to the Producer as a reward for complemental the project on time and on budget. The bond fee is the fee that Guarantors charge for their services. link fees are negotiable depending on the track record of the Producer, other spot production force and from the production budget itself. Approximately, the fee is 3-6% of B and C of the proposed budget on pp.101-102 in ?making It?, which is generally variable be like general expenses, confirmatory prices, and track costs. Educational background and experience necessary for culmination Guarantors are backgrounds in finance, banking, accounting, and as Jim Sternberg points out, ? Guarantors must have an intellect of how a television production or film works as well as understanding how key players in the production are involved.?SECTION EACTRA1) Who they representACTRA is the official bargaining agent of performers in Canada.

A doer means a person who is sedulous to appear on-camera or whose section is heard off-camera in any manner whatsoever. Performers include, but are not restricted to the future(a): actors, animation performers, announcers, background performers, cartoonists, choreographers, refrain performers, dancers, hosts, models, narrators, commentators, off camera performers, panelists, performers, top dog actors, puppeteers, singers, specialty acts, sportscasters, impede performers, variety principal and voice or dialogue coaches. 2) term and conditions of their corporal musical arrangementThe ACTRA agreement, with regards to independent production, sets out the nominal set ups and operative(a) conditions under which Performers whitethorn be intermeshed in Productions produced by any method in Canada or on-location outside of Canada. The agreement covers a variety of issues that concern Canadian performers. Its purpose is to protect the rights of the Performers providing in-depth information regarding possible situations that could arise objet dart in production. The pursual is a summarized list of how the agreement is separate:? identification and application:includes information regarding a general application? interpretation of terms: this provides definitions for a variety of terms that are utilize with regards to contracts and productions. ?the obligations of producers: with regards to equal employment opportunities, harassment, stripped-down fees, security, credits and production guarantee. ?the obligations and qualifications of ACTRA and the Performers?conditions of engagement, cancellations and postponements?no strike and unfair solving?grievance and arbitrament procedures?workdays, overtime and rest periods (including meal times, catch and wardrobe)?travel and expenses?working environments?upgrading and image?nude scenes, risk performance, hinder performance & coordination? minors: working days, tutoring, dangerous work, presence of parents?auditions and interviews?series options, retakes, added scenes and audio think?credits, payment, disposition fees, insurance & retirement plansAs the document is extremely lengthly, specific information can be obtained via the agreement itself, included in our package. 3) CompensationThe following is a copy of the ACTRA independent production rate card, which expand the Performers compensation rights. SECTION F1)Commitment earn / Deal memoranda / kill Agreement:Short form contracts can be bony up among parties to set out the raw materialterms that have been negotiated and agree upon. This short form agreementfacilitates debauched and efficient negotiations between parties. It is usuallyfollowed by a longer form agreement at a later date, once all the specificdetails have been worked out. However, a payload letter or deal memo isno slight lawfully ski binding, and thus should be considered with the analogous legalcautiousness as a full-dress agreement. It is a contractually binding document. This does not guarantee a project will proceed, however a producer can useit to secure terms negotiated during the development period, such as thosethat contribute between directors and writers. The long-form contract is usuallygenerated aft(prenominal) financing has been secured. Completion Guarantees:The cost of a production may exceed sign budget calculations. Completion guarantees are the agreements producers levy into to ensure that funds are available to cover out of the blue(predicate) financial overruns. Investment agreements protect investors from further contributions beyond their initial investment so completion guarantees are utilise to provide for more funds to complete a production. Producers arrange a completion bond with a completion surety who will cover any pleonastic cost. This fee for the agreement is usually a stipulate pct of the production budget. A warranter will visit the production budget for accuracy and ensureadequate financing is in place to finance the project before sign acompletion guarantee. Subsequently, a warranter will use their funds tocomplete the project if the agreed-upon budget is exceeded. A guarantor reserves the right to step in and take over a production if he/she feels that theproduction is proceeding beyond its budget. If the guarantor is required to fund overruns, they are entitled to recouptheir loses from the proceeds of a production, once the initial budget costare returned to investors. Letter of adhesiveness:In order to use northern fractions in a non-union production, producers aremust sign letters of estimation. They agree to condense by the terms, conditions, and minimum pay scales as defined in their collective agreements. (e.g. if using an ACTRA member, it must abide by the ACTRA Independent Production Agreement). write a letter of bond paper with one union does not defy a production toenter into collective agreements with other unions (except the Writersguild of Canada). garner of estimation could be signed with ACTRA, WGC, andDirectors Guild of Canada, but the rest of the technical crew and craftspeople may remain non-union. earn of adherence can be avoided if union members are paidnon-signatory judge bit the rest of the production remain non-union. The terms and conditions then are set as an independent agreement betweeneach crew member and the producer. However, this only applies for a singleproduction. Some unions require Letters of adherence to specify a time frame rather thana specific production, so that the producer must adhere to their collectiveagreement on any productions they engage in during that time period. Buyout:A buyout is a postpaid fee to actors and directors to cover all future andunlimited uses in shape media and territories for a limited time. This is used usually in blank space/or as part of royalty payments. It facilitatesthe producer to clop up their ownership for limited term, so that he/shecan go bad the production independently, without clearing it each timewith all the single directors and actors. The buyout is usually based on a percentage, as outlined in the initialcontract between actors, directors and producers. It is paid in addition tothe basic fee for their services. Directors buyout can range from 25%-50%of their gross fees. SourcesACTRA Performers Guild. Independent Production Agreement- August 9, 1999- December 31, 2001Hehner & Sheffer. Making It: the Business of Film and Television production in Canada. Doubleday Canada particular; Toronto, 1995. Sternberg, Jim. The Completion Guarantors. 65 Heward St, Toronto. http://indiepro.cbc.cawww.newsworld.cbc.ca/roughcuts/outlines If you wish to get a full essay, order it on our website: Ordercustompaper.com

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